painting

Heading For The Barn

Jan 13, 2019

It was a dark and stormy night. Well, it was dark and it was raining.

We had been wine tasting down in the Willamette Valley on a cool autumn day, our teeth stained gray by the luscious pinot noir we'd tried. After a prudent break in the action, and a meal to fill our stomachs, we headed back north to Portland. I sat in the back seat.

The best place for me is always in the back given my penchant for dramatic air-driving to assist the actual driver from steering us into certain death. From there I can mutter exclamations, grit my teeth and hold tightly onto myself in phobic peace. On this drive there was little to see. It was pitch black even on the major highways as we hurled home.

* * *

When I was at camp--a horsy kind of place, just right for this little tomboy--we rode trail horses of all colors and sizes. And also personalities. First year campers were given the older, more experienced horses who were slow to rile and, well, just all over slow...with one exception.

At some point in the ride they knew, having traipsed these trails much of their lives, that home was nigh. So with the scent of the barn in their nostrils they perked up their ears and picked up their pace. We were warned to not let our chargers break into a trot, let alone a gallop, lest we newbies loose control. So we plodded on. How we all longed to let them go for it and make like Annie Oakley along with them.

Gone are those days for me. I'm sure that when we parked the car and dashed inside, I didn't even think twice about the intense fear I had experienced just moments before.  As annoying as my fear of being a passenger is to my fellow travelers, and I know this because they tell me, I long for those days of casting caution to the wind and spurring on the steed, wind in my hair and rain on my cheeks.


Painting: Dark Driving © Lissa Banks 2019